"What is little known is that Deren was also a dancer, choreographer, poet, writer and photographer. In the cinema she was a director, writer, cinematographer, editor, performer, entrepreneur and pioneer in experimental filmmaking in the United States. Like Jean-Luc Godard and Sergei Eisenstein, Maya Deren was both a film theorist and a filmmaker. Unlike these luminaries, Deren’s writing remains relatively obscure in film theory and her films are rarely screened outside of experimental or feminist film courses."
"Rhythm is a defining element of all of Deren’s films, it arises from the play of repetition and variation which is integral to her experiments in narrative. Meshes deploys an innovative style of cutting on action where the protagonist steps over such disparate terrains as the beach, soil, grass and concrete. The rhythmic drumbeat and the repeated movement highlight her deliberate progress across these discontinuous spaces. As the central, consistent element, Ito’s soundtrack enables Deren’s temporal and spatial experimentation."
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